NAPOLEON III. IN ITALY.

By Elizabeth Barrett Browning

Emperor, Emperor!

From the centre to the shore,

From the Seine back to the Rhine,

Stood eight millions up and swore

By their manhood's right divine

So to elect and legislate,

This man should renew the line

Broken in a strain of fate

And leagued kings at Waterloo,

When the people's hands let go.

Emperor

Evermore.

With a universal shout

They took the old regalia out

From an open grave that day;

From a grave that would not close,

Where the first Napoleon lay

Expectant, in repose,

As still as Merlin, with his conquering face

Turned up in its unquenchable appeal

To men and heroes of the advancing race,—

Prepared to set the seal

Of what has been on what shall be.

Emperor

Evermore.

The thinkers stood aside

To let the nation act.

Some hated the new-constituted fact

Of empire, as pride treading on their pride.

Some quailed, lest what was poisonous in the past

Should graft itself in that Druidic bough

On this green Now.

Some cursed, because at last

The open heavens to which they had looked in vain

For many a golden fall of marvellous rain

Were closed in brass; and some

Wept on because a gone thing could not come;

And some were silent, doubting all things for

That popular conviction,— evermore

Emperor.

That day I did not hate

Nor doubt, nor quail nor curse.

I, reverencing the people, did not bate

My reverence of their deed and oracle,

Nor vainly prate

Of better and of worse

Against the great conclusion of their will.

And yet, O voice and verse,

Which God set in me to acclaim and sing

Conviction, exaltation, aspiration,

We gave no music to the patent thing,

Nor spared a holy rhythm to throb and swim

About the name of him

Translated to the sphere of domination

By democratic passion!

I was not used, at least,

Nor can be, now or then,

To stroke the ermine beast

On any kind of throne

( Though builded by a nation for its own ),

And swell the surging choir for kings of men —

“Emperor

Evermore.”

But now, Napoleon, now

That, leaving far behind the purple throng

Of vulgar monarchs, thou

Tread'st higher in thy deed

Than stair of throne can lead,

To help in the hour of wrong

The broken hearts of nations to be strong,—

Now, lifted as thou art

To the level of pure song,

We stand to meet thee on these Alpine snows!

And while the palpitating peaks break out

Ecstatic from somnambular repose

With answers to the presence and the shout,

We, poets of the people, who take part

With elemental justice, natural right,

Join in our echoes also, nor refrain.

We meet thee, O Napoleon, at this height

At last, and find thee great enough to praise.

Receive the poet's chrism, which smells beyond

The priest's, and pass thy ways;—

An English poet warns thee to maintain

God's word, not England's:— let His truth be true

And all men liars! with His truth respond

To all men's lie. Exalt the sword and smite

On that long anvil of the Apennine

Where Austria forged the Italian chain in view

Of seven consenting nations, sparks of fine Admonitory light,

Till men's eyes wink before convictions new.

Flash in God's justice to the world's amaze,

Sublime Deliverer!— after many days

Found worthy of the deed thou art come to do —

Emperor.

Evermore.

But Italy, my Italy,

Can it last, this gleam?

Can she live and be strong,

Or is it another dream

Like the rest we have dreamed so long?

And shall it, must it be,

That after the battle-cloud has broken

She will die off again

Like the rain,

Or like a poet's song

Sung of her, sad at the end

Because her name is Italy,—

Die and count no friend?

Is it true,— may it be spoken,—

That she who has lain so still,

With a wound in her breast,

And a flower in her hand,

And a grave-stone under her head,

While every nation at will

Beside her has dared to stand,

And flout her with pity and scorn,

Saying “She is at rest,

She is fair, she is dead,

And, leaving room in her stead

To Us who are later born,

This is certainly best!”

Saying “Alas, she is fair,

Very fair, but dead,— give place,

And so we have room for the race.”

— Can it be true, be true,

That she lives anew?

That she rises up at the shout of her sons,

At the trumpet of France,

And lives anew?— is it true

That she has not moved in a trance,

As in Forty-eight?

When her eyes were troubled with blood

Till she knew not friend from foe,

Till her hand was caught in a strait

Of her cerement and baffled so

From doing the deed she would;

And her weak foot stumbled across

The grave of a king,

And down she dropt at heavy loss,

And we gloomily covered her face and said,

“We have dreamed the thing;

She is not alive, but dead.”

Now, shall we say

Our Italy lives indeed?

And if it were not for the beat and bray

Of drum and trump of martial men,

Should we feel the underground heave and strain,

Where heroes left their dust as a seed

Sure to emerge one day?

And if it were not for the rhythmic march

Of France and Piedmont's double hosts,

Should we hear the ghosts

Thrill through ruined aisle and arch,

Throb along the frescoed wall,

Whisper an oath by that divine

They left in picture, book, and stone,

That Italy is not dead at all?

Ay, if it were not for the tears in our eyes,

These tears of a sudden passionate joy,

Should we see her arise

From the place where the wicked are overthrown,

Italy, Italy — loosed at length

From the tyrant's thrall,

Pale and calm in her strength?

Pale as the silver cross of Savoy

When the hand that bears the flag is brave,

And not a breath is stirring, save

What is blown

Over the war-trump's lip of brass,

Ere Garibaldi forces the pass!

Ay, it is so, even so.

Ay, and it shall be so.

Each broken stone that long ago

She flung behind her as she went

In discouragement and bewilderment

Through the cairns of Time, and missed her way

Between to-day and yesterday,

Up springs a living man.

And each man stands with his face in the light

Of his own drawn sword,

Ready to do what a hero can.

Wall to sap, or river to ford,

Cannon to front, or foe to pursue,

Still ready to do, and sworn to be true,

As a man and a patriot can.

Piedmontese, Neapolitan,

Lombard, Tuscan, Romagnole,

Each man's body having a soul,—

Count how many they stand,

All of them sons of the land,

Every live man there

Allied to a dead man below,

And the deadest with blood to spare

To quicken a living hand

In case it should ever be slow.

Count how many they come

To the beat of Piedmont's drum,

With faces keener and grayer

Than swords of the Austrian slayer,

All set against the foe.

“Emperor

Evermore.”

Out of the dust where they ground them;

Out of the holes where they dogged them;

Out of the hulks where they wound them

In iron, tortured and flogged them;

Out of the streets where they chased them,

Taxed them, and then bayonetted them;

Out of the homes where they spied on them

( Using their daughters and wives );

Out of the church where they fretted them,

Rotted their souls and debased them,

Trained them to answer with knives,

Then cursed them all at their prayers!—

Out of cold lands, not theirs,

Where they exiled them, starved them, lied on them;

Back they come like a wind, in vain

Cramped up in the hills, that roars its road

The stronger into the open plain,

Or like a fire that burns the hotter

And longer for the crust of cinder,

Serving better the ends of the potter;

Or like a restrained word of God,

Fulfilling itself by what seems to hinder.

“Emperor

Evermore.”

Shout for France and Savoy!

Shout for the helper and doer.

Shout for the good sword's ring,

Shout for the thought still truer.

Shout for the spirits at large

Who passed for the dead this spring,

Whose living glory is sure.

Shout for France and Savoy!

Shout for the council and charge!

Shout for the head of Cavour;

And shout for the heart of a King

That's great with a nation's joy!

Shout for France and Savoy!

Take up the child, Macmahon, though

Thy hand be red

From Magenta's dead,

And riding on, in front of the troop,

In the dust of the whirlwind of war

Through the gate of the city of Milan, stoop

And take up the child to thy saddle-bow,

Nor fear the touch as soft as a flower of his smile as clear as a star!

Thou hast a right to the child, we say,

Since the women are weeping for joy as they

Who, by thy help and from this day,

Shall be happy mothers indeed.

They are raining flowers from terrace and roof:

Take up the flower in the child.

While the shout goes up of a nation freed

And heroically self-reconciled,

Till the snow on that peaked Alp aloof

Starts, as feeling God's finger anew,

And all those cold white marble fires

Of mounting saints on the Duomo-spires

Flicker against the Blue.

“Emperor

Evermore.”

Ay, it is He,

Who rides at the King's right hand!

Leave room to his horse and draw to the side,

Nor press too near in the ecstasy

Of a newly delivered impassioned land:

He is moved, you see,

He who has done it all.

They call it a cold stern face;

But this is Italy

Who rises up to her place!—

For this he fought in his youth,

Of this he dreamed in the past;

The lines of the resolute mouth

Tremble a little at last.

Cry, he has done it all!

“Emperor

Evermore.”

It is not strange that he did it,

Though the deed may seem to strain

To the wonderful, unpermitted,

For such as lead and reign.

But he is strange, this man:

The people's instinct found him

( A wind in the dark that ran

Through a chink where was no door ),

And elected him and crowned him

Emperor

Evermore.

Autocrat? let them scoff,

Who fail to comprehend

That a ruler incarnate of

The people must transcend

All common king-born kings;

These subterranean springs

A sudden outlet winning

Have special virtues to spend.

The people's blood runs through him,

Dilates from head to foot,

Creates him absolute,

And from this great beginning

Evokes a greater end

To justify and renew him —

Emperor

Evermore.

What! did any maintain

That God or the people ( think! )

Could make a marvel in vain?—

Out of the water-jar there,

Draw wine that none could drink?

Is this a man like the rest,

This miracle, made unaware

By a rapture of popular air,

And caught to the place that was best?

You think he could barter and cheat

As vulgar diplomates use,

With the people's heart in his breast?

Prate a lie into shape

Lest truth should cumber the road;

Play at the fast and loose

Till the world is strangled with tape;

Maim the soul's complete

To fit the hole of a toad;

And filch the dogman's meat

To feed the offspring of God?

Nay, but he, this wonder,

He cannot palter nor prate,

Though many around him and under,

With intellects trained to the curve,

Distrust him in spirit and nerve

Because his meaning is straight.

Measure him ere he depart

With those who have governed and led;

Larger so much by the heart,

Larger so much by the head.

Emperor

Evermore.

He holds that, consenting or dissident,

Nations must move with the time;

Assumes that crime with a precedent

Doubles the guilt of the crime;

— Denies that a slaver's bond,

Or a treaty signed by knaves

( Quorum magna pars, and beyond

Was one of an honest name ),

Gives an inexpugnable claim

To abolish men into slaves.

Emperor

Evermore.

He will not swagger nor boast

Of his country's meeds, in a tone

Missuiting a great man most

If such should speak of his own;

Nor will he act, on her side,

From motives baser, indeed,

Than a man of a noble pride

Can avow for himself at need;

Never, for lucre or laurels,

Or custom, though such should be rife,

Adapting the smaller morals

To measure the larger life.

He, though the merchants persuade,

And the soldiers are eager for strife,

Finds not his country in quarrels

Only to find her in trade,—

While still he accords her such honour

As never to flinch for her sake

Where men put service upon her,

Found heavy to undertake

And scarcely like to be paid:

Believing a nation may act

Unselfishly — shiver a lance

( As the least of her sons may, in fact )

And not for a cause of finance.

Emperor

Evermore.

Great is he

Who uses his greatness for all.

His name shall stand perpetually

As a name to applaud and cherish,

Not only within the civic wall

For the loyal, but also without

For the generous and free.

Just is he,

Who is just for the popular due

As well as the private debt.

The praise of nations ready to perish

Fall on him,— crown him in view

Of tyrants caught in the net,

And statesmen dizzy with fear and doubt!

And though, because they are many,

And he is merely one,

And nations selfish and cruel

Heap up the inquisitor's fuel

To kill the body of high intents,

And burn great deeds from their place,

Till this, the greatest of any,

May seem imperfectly done;

Courage, whoever circumvents!

Courage, courage, whoever is base!

The soul of a high intent, be it known,

Can die no more than any soul

Which God keeps by Him under the throne;

And this, at whatever interim,

Shall live, and be consummated

Into the being of deeds made whole.

Courage, courage! happy is he,

Of whom ( himself among the dead

And silent ) this word shall be said:

— That he might have had the world with him,

But chose to side with suffering men,

And had the world against him when

He came to deliver Italy.

Emperor

Evermore.