THE PICTURE

By Samuel Taylor Coleridge

Through weeds and thorns, and matted underwood

I force my way; now climb, and now descend

O'er rocks, or bare or mossy, with wild foot

Crushing the purple whorts; while oft unseen,

Hurrying along the drifted forest-leaves,

The scared snake rustles. Onward still I toil,

I know not, ask not whither! A new joy,

Lovely as light, sudden as summer gust,

And gladsome as the first-born of the spring,

Beckons me on, or follows from behind,

Playmate, or guide! The master-passion quelled,

I feel that I am free. With dun-red bark

The fir-trees, and the unfrequent slender oak,

Forth from this tangle wild of bush and brake

Soar up, and form a melancholy vault

High o'er me, murmuring like a distant sea.

Here Wisdom might resort, and here Remorse;

Here too the love-lorn man, who, sick in soul,

And of this busy human heart aweary,

Worships the spirit of unconscious life

In tree or wild-flower.— Gentle lunatic!

If so he might not wholly cease to be,

He would far rather not be that he is;

But would be something that he knows not of,

In winds or waters, or among the rocks!

But hence, fond wretch! breathe not contagion here!

No myrtle-walks are these: these are no groves

Where Love dare loiter! If in sullen mood

He should stray hither, the low stumps shall gore

His dainty feet, the briar and the thorn

Make his plumes haggard. Like a wounded bird

Easily caught, ensnare him, O ye Nymphs,

Ye Oreads chaste, ye dusky Dryades!

And you, ye Earth-winds! you that make at morn

The dew-drops quiver on the spiders’ webs!

You, O ye wingless Airs! that creep between

The rigid stems of heath and bitten furze,

Within whose scanty shade, at summer-noon,

The mother-sheep hath worn a hollow bed —

Ye, that now cool her fleece with dropless damp,

Now pant and murmur with her feeding lamb.

Chase, chase him, all ye Fays, and elfin Gnomes!

With prickles sharper than his darts bemock

His little Godship, making him perforce

Creep through a thorn-bush on yon hedgehog's back.

This is my hour of triumph! I can now

With my own fancies play the merry fool,

And laugh away worse folly, being free.

Here will I seat myself, beside this old,

Hollow, and weedy oak, which ivy-twine

Clothes as with net-work: here will I couch my limbs,

Close by this river, in this silent shade,

As safe and sacred from the step of man

As an invisible world — unheard, unseen,

And listening only to the pebbly brook

That murmurs with a dead, yet tinkling sound;

Or to the bees, that in the neighbouring trunk

Make honey-hoards. The breeze, that visits me,

Was never Love's accomplice, never raised

The tendril ringlets from the maiden's brow,

And the blue, delicate veins above her cheek;

Ne'er played the wanton — never half disclosed

The maiden's snowy bosom, scattering thence

Eye-poisons for some love-distempered youth,

Who ne'er henceforth may see an aspen-grove

Shiver in sunshine, but his feeble heart

Shall flow away like a dissolving thing.

Sweet breeze! thou only, if I guess aright,

Liftest the feathers of the robin's breast,

That swells its little breast, so full of song,

Singing above me, on the mountain-ash.

And thou too, desert stream! no pool of thine,

Though clear as lake in latest summer-eve,

Did e'er reflect the stately virgin's robe,

The face, the form divine, the downcast look

Contemplative! Behold! her open palm

Presses her cheek and brow! her elbow rests

On the bare branch of half-uprooted tree,

That leans towards its mirror! Who erewhile

Had from her countenance turned, or looked by stealth,

( For Fear is true-love's cruel nurse ), he now

With steadfast gaze and unoffending eye,

Worships the watery idol, dreaming hopes

Delicious to the soul, but fleeting, vain,

E'en as that phantom-world on which he gazed,

But not unheeded gazed: for see, ah! see,

The sportive tyrant with her left hand plucks

The heads of tall flowers that behind her grow,

Lychnis, and willow-herb, and fox-glove bells:

And suddenly, as one that toys with time,

Scatters them on the pool! Then all the charm

Is broken — all that phantom world so fair

Vanishes, and a thousand circlets spread,

And each mis-shape the other. Stay awhile,

Poor youth, who scarcely dar'st lift up thine eyes!

The stream will soon renew its smoothness, soon

The visions will return! And lo! he stays:

And soon the fragments dim of lovely forms

Come trembling back, unite, and now once more

The pool becomes a mirror; and behold

Each wildflower on the marge inverted there,

And there the half-uprooted tree — but where,

O where the virgin's snowy arm, that leaned

On its bare branch? He turns, and she is gone!

Homeward she steals through many a woodland maze

Which he shall seek in vain. Ill-fated youth!

Go, day by day, and waste thy manly prime

In mad love-yearning by the vacant brook,

Till sickly thoughts bewitch thine eyes, and thou

Behold'st her shadow still abiding there,

The Naiad of the mirror!

Not to thee,

O wild and desert stream! belongs this tale:

Gloomy and dark art thou — the crowded firs

Spire from thy shores, and stretch across thy bed,

Making thee doleful as a cavern-well:

Save when the shy king-fishers build their nest

On thy steep banks, no loves hast thou, wild stream!

This be my chosen haunt — emancipate

From Passion's dreams, a freeman, and alone,

I rise and trace its devious course. O lead,

Lead me to deeper shades and lonelier glooms.

Lo! stealing through the canopy of firs,

How fair the sunshine spots that mossy rock,

Isle of the river, whose disparted waves

Dart off asunder with an angry sound,

How soon to re-unite! And see! they meet,

Each in the other lost and found: and see

Placeless, as spirits, one soft water-sun

Throbbing within them, heart at once and eye!

With its soft neighbourhood of filmy clouds,

The stains and shadings of forgotten tears,

Dimness o'erswum with lustre! Such the hour

Of deep enjoyment, following love's brief feuds;

And hark, the noise of a near waterfall!

I pass forth into light — I find myself

Beneath a weeping birch ( most beautiful

Of forest trees, the Lady of the Woods ),

Hard by the brink of a tall weedy rock

That overbrows the cataract. How bursts

The landscape on my sight! Two crescent hills

Fold in behind each other, and so make

A circular vale, and land-locked, as might seem,

With brook and bridge, and grey stone cottages,

Half hid by rocks and fruit-trees. At my feet,

The whortle-berries are bedewed with spray,

Dashed upwards by the furious waterfall.

How solemnly the pendent ivy-mass

Swings in its winnow: All the air is calm.

The smoke from cottage-chimneys, tinged with light,

Rises in columns; from this house alone,

Close by the water-fall, the column slants,

And feels its ceaseless breeze. But what is this?

That cottage, with its slanting chimney-smoke,

And close beside its porch a sleeping child,

His dear head pillowed on a sleeping dog —

One arm between its fore-legs, and the hand

Holds loosely its small handful of wild-flowers,

Unfilletted, and of unequal lengths.

A curious picture, with a master's haste

Sketched on a strip of pinky-silver skin,

Peeled from the birchen bark! Divinest maid!

Yon bark her canvas, and those purple berries

Her pencil! See, the juice is scarcely dried

On the fine skin! She has been newly here;

And lo! yon patch of heath has been her couch —

The pressure still remains! O blesséd couch!

For this may'st thou flower early, and the sun,

Slanting at eve, rest bright, and linger long

Upon thy purple bells! O Isabel!

Daughter of genius! stateliest of our maids!

More beautiful than whom Alcaeus wooed,

The Lesbian woman of immortal song!

O child of genius! stately, beautiful,

And full of love to all, save only me,

And not ungentle e'en to me! My heart,

Why beats it thus? Through yonder coppice-wood

Needs must the pathway turn, that leads straightway

On to her father's house. She is alone!

The night draws on — such ways are hard to hit —

And fit it is I should restore this sketch,

Dropt unawares, no doubt. Why should I yearn

To keep the relique?‘ twill but idly feed

The passion that consumes me. Let me haste!

The picture in my hand which she has left;

She cannot blame me that I followed her:

And I may be her guide the long wood through.