Not as the songs of other lands
Her song shall be,
Where dim her purple shore-line stands
Above the sea!
As erst she stood, she stands alone;
Her inspiration is her own.
From sunlit plains to mangrove strands
Not as the songs of other lands
Her song shall be.
O, Southern Singers! Rich and sweet,
Like chimes of bells,
The cadence swings with rhythmic beat,
The music swells;
But undertones, weird, mournful, strong,
Sweep like swift currents thro' the song.
In deepest chords, with passion fraught,
In softest notes of sweetest thought,
This sadness dwells.
Is this her song, so weirdly strange,
So mixed with pain,
That whereso'er her poets range
Is heard the strain?
Broods there no spell upon the air
But desolation and despair?
No voice, save sorrow's, to intrude
Upon her mountain solitude
Or sun-kissed plain?
The silence and the sunshine creep
With soft caress
O'er billowy plain and mountain steep
And wilderness -
A velvet touch, a subtle breath,
As sweet as love, as calm as death,
on earth, on air, so soft, so fine,
Till all the soul a spell divine
O'ershadoweth.
The grey gums by the lonely creek,
The star-crowned height,
The wind-swept plain, the dim blue peak,
The cold white light,
The solitude spread near and far
Around the camp-fire's tiny star,
The horse-bell's melody remote,
The curlew's melancholic note,
Across the night.
These have their message; yet from these
Our songs have thrown
O'er all our Austal hills and leas
One sombre tone.
Whence doth the mournful keynote start?
From the pure depths of Nature's heart?
Or from the heart of him who sings
And deems his hand upon the strings
Is natures own?
Could tints be deeper, skies less dim,
More soft and fair,
Dappled with milk-white clouds that swim
In faintest air?
The soft moss sleeps upon the stone,
Green scrub-vine traceries enthrone
The dead grey trunks, and boulders red,
Roofed by the pine and carpeted
With maidenhair.
But far and near, o'er each, o'er all,
Above, below,
Hangs the great silence like a pall
Softer than snow.
Not sorrow is the spell it brings,
But thoughts of calmer, purer things,
Like the sweet touch of hands we love,
A woman's tenderness above
A fevered brow.
These purple hills, these yellow leas,
These forests lone,
These mangrove shores, these shimmering seas,
This summer zone.
Shall they inspire no nobler strain
Than songs of bitterness and pain?
Strike her wild harp with firmer hand,
And send her music thro' the land,
With loftier tone!
Her song is silence; Unto her
Its mystery clings.
Silence is the interpreter
Of deeper things.
O for sonorous voice and strong
To change that silence into song!
To give that melody release
Which sleeps in the heart of peace
With folded wings.
Nature feels the touch of noon;
Not a rustle stirs the grass;
Not a shadow flecks the sky,
Save the brown hawk hovering nigh;
Not a ripple dims the glass
Of the wide lagoon.
Darkly, like an armed host
Seen afar against the blue,
Dim in the mist of ages, seeking a resting-place,
Broke on the shores of Britain the wave of an Aryan race.
Clear thro’ the mist of ages, ere ever the White Christ came,
Songs of the Cymric singers have chanted the Brython fame.
Dark with the fate of nations, and swift as a broadspear hurled,
The breath of the God of Battles swept o’er the western world.
Where are the old-time peoples, men of the war-like front,
From the surge of the wild Atlantic to the shores of the Hellespont?
In an age of Mammon and Greed,
In an age of Humbug and Cant,
Where Speech is greater than Deed
In the reign of the sycophant,
Let us turn from the shameless lips that babble of things Divine,
And shout to the God we know not the Song of the Philistine!
All hail, as you gather and pass
From the mansion and counting-house,
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