Donald Justice
United Kingdom (Great Britain)It always comes, and when it comes they know.
To will it is enough to bring them there.
The knack is this, to fasten and not let go.
Their limbs are charmed; they cannot stay or go.
Desire is limbo: they¼re unhappy there.
It always comes, and when it comes they know.
Their choice of hells would be the one they know.
Dante describes it, the wind circling there.
Me moriré en Paris con aguacero ...
I will die in Miami in the sun,
On a day when the sun is very bright,
A day like the days I remember, a day like other days,
A day that nobody knows or remembers yet,
And the sun will be bright then on the dark glasses of strangers
And in the eyes of a few friends from my childhood
And of the surviving cousins by the graveside,
R. B. VAUGHN speaks:
“After so many years of pursuing the ideal
I came home. But I had caught sight of it.
You see it sometimes in the blue-silver wake
Of island schooners, bound for Anegada, say.
And it takes other forms. I saw it flickering once
In torches by the railroad tracks in Medellín.
When I was very young I thought that love would come
The Man Closing Up," from Night Light" (1967),
would make his bed,
If he could sleep on it.
He would make his bed with white sheets
And disappear into the white,
Like a man diving,
If he could be certain
That the light
CROSSING KANSAS BY TRAIN
The telephone poles
Have been holding their
Arms out
A long time now
To birds
That will not
Settle there
-- Coronado Beach, California, March, 1905
In a hotel room by the sea, the Master
Sits brooding on the continent he has crossed.
Not that he foresees immediate disaster,
Only a sort of freshness being lost --
Or should he go on calling it Innocence?
The sad-faced monsters of the plains are gone;
Wall Street controls the wilderness. There's an immense
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These seven houses have learned to face one another,
But not at the expected angles. Those silly brown lumps,
That are probably meant for hills and not other houses,
After ages of being themselves, though naturally slow,
Are learning to be exclusive without offending.
The arches and entrances (down to the right out of sight)
Have mastered the lesson of remaining closed.
Tramps on the road: floating clouds. OLD CHINESE POEM
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Agriculture and Industry
Embraced in public on a wall—
Heroes in shirt-sleeves! Next to them
The average man felt small.
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I dreamed I saw Joe Hill last night,
Les morts
C’est sous terre;
Ça n’en sort
Guère.
LAFORGUE
Our diaries squatted, toad-like,
On dark closet ledges.
Forget-me-not and thistle
This one was put in a jacket,
This one was sent home,
This one was given bread and meat
But would eat none,
And this one cried No No No No
All day long.
This one looked at the window
As though it were a wall,
A delicate young Negro stands
With the reins of a horse clutched loosely in his hands;
So delicate, indeed, that we wonder if he can hold the spirited creature
beside him
Until the master shall arrive to ride him.
Already the animal's nostrils widen with rage or fear.
But if we imagine him snorting, about to rear,
This boy, who should know about such things better than we,
It begins again, the nocturnal pulse.
It courses through the cables laid for it.
It mounts to the chandeliers and beats there, hotly.
We are too close. Too late, we would move back.
We are involved with the surge.
Now it bursts. Now it has been announced.
Now it is being soaked up by newspapers.
Now it is running through the streets.