William Stafford
United Kingdom (Great Britain)Anyone with quiet pace who
walks a gray road in the West
may hear a badger underground where
in deep flint another time is
Caught by flint and held forever,
the quiet pace of God stopped still.
Anyone who listens walks on
time that dogs him single file,
All the Sioux were defeated. Our clan
got poor, but a few got richer.
They fought two wars. I did not
take part. No one remembers your vision
or even your real name. Now
the children go to town and like
loud music. I married a Christian.
Crazy Horse, it is not fair
Aristotle was a little man with
eyes like a lizard, and he found a streak
down the midst of things, a smooth place for his feet
much more important than the carved handles
on the coffins of the great.
He said you should put your hand out
at the time and place of need:
strength matters little, he said,
Whispering to each handhold, “I'll be back,”
I go up the cliff in the dark. One place
I loosen a rock and listen a long time
till it hits, faint in the gulf, but the rush
of the torrent almost drowns it out, and the wind—
I almost forgot the wind: it tears at your side
or it waits and then buffets; you sag outward. . . .
I remember they said it would be hard. I scramble
Setting a trotline after sundown
if we went far enough away in the night
sometimes up out of deep water
would come a secret-headed channel cat,
Eyes that were still eyes in the rush of darkness,
flowing feelers noncommittal and black,
and hidden in the fins those rasping bone daggers,
with one spiking upward on its back.
Sometimes up out of this land
a legend begins to move.
Is it a coming near
of something under love?
Love is of the earth only,
the surface, a map of roads
leading wherever go miles
or little bushes nod.
The only relics left are those long
spangled seconds our school clock chipped out
when you crossed the social hall
and we found each other alive,
by our glances never to accept our town's
ways, torture for advancement,
nor ever again be prisoners by choice.
Now I learn you died
In scenery I like flat country.
In life I don’t like much to happen.
In personalities I like mild colorless people.
And in colors I prefer gray and brown.
My wife, a vivid girl from the mountains,
says, “Then why did you choose me?”
Mildly I lower my brown eyes—
there are so many things admirable people do not understand.
Mine was a Midwest home—you can keep your world.
Plain black hats rode the thoughts that made our code.
We sang hymns in the house; the roof was near God.
The light bulb that hung in the pantry made a wan light,
but we could read by it the names of preserves—
outside, the buffalo grass, and the wind in the night.
A wildcat sprang at Grandpa on the Fourth of July
when he was cutting plum bushes for fuel,
At noon in the desert a panting lizard
waited for history, its elbows tense,
watching the curve of a particular road
as if something might happen.
It was looking at something farther off
than people could see, an important scene
acted in stone for little selves
at the flute end of consequences.
Cold nights outside the taverns in Wyoming
pickups and big semis lounge idling, letting their
haunches twitch now and then in gusts of powder snow,
their owners inside for hours, forgetting as well
as they can the miles, the circling plains, the still town
that connects to nothing but cold and space and a few
stray ribbons of pavement, icy guides to nothing
but bigger towns and other taverns that glitter and wait:
When we first moved here, pulled
the trees in around us, curled
our backs to the wind, no one
had ever hit the moon—no one.
Now our trees are safer than the stars,
and only other people's neglect
is our precious and abiding shell,
pierced by meteors, radar, and the telephone.